In the mid-1800's, the wealthy Sloper family - widowed surgeon Dr. Austin Sloper, his adult daughter Catherine Sloper (Dr. Sloper's only surviving child), and Dr. Sloper's recently widowed sister Lavinia Penniman - live in an opulent house at 16 Washington Square, New York City.
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They have accrued their wealth largely through Dr. Sloper's hard work. Despite the lessons that Dr. Sloper has paid for in all the social graces for her, Catherine is a plain, simple, awkward and extremely shy woman who spends all her free time alone doing embroidery when she is not doting on her father. Catherine's lack of social charm and beauty - unlike her deceased mother - is obvious to Dr. Sloper, who hopes that Lavinia will act as her guardian in becoming more of a social person, and ultimately as chaperon if Catherine were ever to meet the right man. The first man ever to show Catherine any attention is the handsome Morris Townsend, who she met at a family party.
Catherine is initially uncertain as to. I saw this film about 10 years ago and have never forgotten it. Why it is not available on DVD - I just don't understand it. Olivia de Havilland is heart-breaking as the woman who is so badly treated by her suitors and her father. I felt the portrayal of her father and the cruel way he treats her was so well played out and you could see how her soul is slowly being crushed. I was so amazed and touched by the film, I went and got the book it is based on, Henry James' Washington Square. It was superb but nothing will make me forget the look on Olivia De Havilland's face at the end of the movie where you can see her features harden and all her youthful sweetness is gone.
Brilliant film!
The early 1900s with its Mann Act (disallowing women to be transported across state lines for immoral reasons) brings a married man to devise a scheme for taking his upper-class girlfriend away with him. He simply has her marry his unmarried buddy. However, it doesn't take very long before both men start laying claim to her affection. Until, that is, she's about to be cut out of her parents' fortune. So, a new scheme is devised, which only adds to their problems, as well as to the sly whimsy of this movie. Ramshackle farce with a few funny moments, mainly thanks to Nicholson's largely inspired comedic work, but little else. Mike Nichols is adept at coasting along on clever scripts,but he's clearly unable to salvage wayward material like this.
In particular, the running gag which comprises the last half hour or so of the film wears incredibly thin. Beatty and Channing seem to be trying,to little avail, while Nicholson walks away with the film. He's particularly adroit in the first 20 minutes,before the film gets lost in it's own series of ambling vignettes. Still can't hold a candle to the old W.C. Fields or Laurel & Hardy films. Watch one of those instead.